How to listen to and Understand Great Music / Robert Greenberg.

Part 1 : 1. Music as a mirror ; 2. Sources The ancient world and the early church ; 3. The middle ages ; 4. Introduction to the renaissance ; 5. The renaissance mass ; 6. The madrigal ; 7. An introduction to the baroque era ; 8. Style features of baroque-era music--Part 2 : 9. National styles Italy and Germany ; 10. Fugue ; 11. Baroque opera, part 1 ; 12. Baroque opera, part 2 ; 13. The oratorio ; 14. The lutheran church cantata ; 15. Passacaglia --Part 3 : 16. Classical-era form theme and variations ; 17.The enlightenment and an introduction to the classical era ; 18. The viennese classical style, homophony, and the cadence ; 19. classical-era form theme and variations ; 20. Classical-era form minuet and trio: baroque antecedents ; 21. Classical-era form minuet and trio form ; 22. classical-era form rondo form ; 22. classical-era form rondo form ; 23. Classical-era form sonata form, part 1 ; 24. Classical-era form sonata form, part 2 --Part 4 : 25. Classical-era form sonata form, part 3 ; 26.The symphony music for every person ; 27. The solo concerto ; 28. Classical-era opera The rise of opera buffa ; 29. Classical-era opera, part 2 Mozart and the operatic ensemble ; 30. The French Revolution and an introduction to Beethoven ; 31. Beethoven's symphony no. 5 in C minor, op. 67, part 1 ; 32. Beethoven's Symphony no. 5 in C minor, op. 67, part 2 ; 33. Introduction to romanticism ; 34. Formal challenges and solutions in early romantic music ; 35. The program Symphony Berlioz's Symphonie Fantastique, part 1 ; 36. the program Symphony Berlioz's Symphonie Fantastique, Part 2 ; 37.19th-Century Italian Opera Bel Canto Opera ; 38. 19th-Century Italian Opera Giuseppe Verdi ; 40. 19th-Century Italian Opera Giuseppe Verdi --Part 6 : 41. The Concert Overture, Part 1 ; 42. The Concert Overture, Part 2 ; 43. Romantic-era Musical Nationalism ; 44. An Introduction to Early 20th-Century Modernism ; 45. An Introduction to Early 20th-Century Modernism ; 46. Early 20th-Century Modernism Claude Debussy ; 47. Early 20th-Century Modernism Igor Stravinsky ; 48. Early 20th-Century Modernism Arnold Schönberg.

Esta es una increíble serie de conferencias la buena música es un lenguaje en sí mismo, un medio de comunicación de belleza y genio sin igual. Y tiene un poder innegable para movernos de manera que enriquezca nuestras vidas, siempre que se entienda.Si alguna vez ha deseado apreciar la excelente música de concierto, aprender su glorioso lenguaje y compartir sus placeres sublimes, el camino ahora está abierto para usted, a través de esta serie.

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